We create original worlds through games, comics, albums, cinematic media, and the production systems that connect them.
A game, record, comic, and cinematic can be different ways into the same authored world.
These captures come from active Unreal builds and the public RHM Steam page. They show real gameplay systems and prototype work, not cinematic stand-ins.
Third-person movement, objective routing, illuminated traversal geometry, reactive effects, and hostile encounters inside the training zone.
This is work in development: a character, observation space, lighting pass, and collision/interaction volumes being tested in engine. It is intentionally labeled as prototype work rather than final gameplay.
In active developmentProduced issues and specials, assembled as readable digital experiences and connected to the larger RHM world.
The soundtracks are public now. Each record carries the emotional architecture of its world before the full interactive experience arrives.
Play all 8 tracksEight cues move from intake and observation through containment, simulation, and permanence.
Listen on YouTube ↗
Play the full recordSixteen public entries trace signal, memory, collapse, recovery, and the places music still survives.
Listen on YouTube ↗The game is in development. Its eight-track soundtrack, storyboards, character imagery, and cinematic production already establish the story through one consistent foundation.
Hear the soundtrackMMKPC combines creative direction with the production systems needed to move work from idea to playable, readable, and watchable results.
Unreal systems, gameplay prototypes, release preparation, and player-facing worlds.
Story structure, scripts, page systems, visual development, storyboards, and cinematic edits.
Original records, companion soundtracks, voice-production controls, and mastered delivery.
Repeatable workflows, review boards, technical validation, and structured handoffs.
